If you ever wanted to understand why teaching puberty-ridden, curious and often rebellious high school kids is a tough job, just watch the French film, The Class (Entre Les Murs). This movie dives into the deep end of the complexities of teaching a multi-ethnic, socioeconomic diverse class in the new immigrant rich France.
The Class (2008) takes place inside the narrow confines of the high school campus, which may sound limiting, but it was a careful choice made by director Laurent Cantet. The docudrama is based on a book and screenplay written by François Bégaudeau, the author and teacher who plays himself in the movie. It is a somewhat loose day-in-the-life story of his struggles to teach a diverse class of challenging students.
Most viewers realize the teachers are in for a rough time from the very first scene. Smartly foreshadowing the year to come, a group of teachers meet to prepare for the incoming students. The team shares its words of encouragement and advice, especially for the rookies. A retiring teacher said “[He’d] like to wish the new arrivals plenty of courage” because he knew they would need it.
The complexity of courage and respect are played out in the film’s French classroom and in “real-world” classrooms internationally. François, and the other teachers, wear a shield of courage each day to face the brutal, disruptive and demanding students. Like the new France, François’ class had students of all nationalities – Moroccan, Mali, Chinese as well as other African and Middle Eastern nations. The Class proves that teachers also needed respect to understand the daily battles their first and second-generation immigrant students encountered in their tough French neighborhoods. These constant clashes between teacher and student for understanding left the audience with mixed sympathies.
This push-pull tension around respect in the classroom was played out perfectly as the movie went from scene to scene. Several students, like Khoumba, a sharp-tongued, moody African girl, were quick to demand respect from their snappy and exasperated teacher. In one power play, she is scolded by François for her insolence in class after refusing to read aloud. In a tug-of-war after class discussion, François demands a sincere apology from her. Feeling a lack of respect shown, she offers a half-hearted apology and runs off to join her friends who waited and snickered in the hallway. Seeking to provide balance to the commentary on respect, the film shows another side of Khoumba, as a sensitive, emotional teenaged girl. In a well-written note to François, she explains how she feels disrespected by him.



CARAMEL BELLA: This is my place to write about my adventures and mis-adventures in this thing called life. I discuss my passions: the environment, politics, art & culture, writing as well as yoga, health and spirituality. The one thing you can expect from this blog is that it is not what you expected. Thanks for reading! To reach me email thecaramelbella at gmail.




